Anthony Carelli

© Anna Belle Peevey


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Carnations

Nodding to influences as varied as George Herbert, Francis Ponge, Fernando Pessoa, and D. H. Lawrence, Carelli asserts that the poet’s materials—words, objects, phenomena—are sacred, wilting in the moment, yet perennially renewed. Often taking titles from a biblical vocabulary, Carnations reminds us that unremarkable places and events—a game of Frisbee in a winter park, workers stacking panes in a glass factory, or the daily opening of a café—can, in a blink, be new. A short walk home is briefly transformed into a cathedral, and the work-worn body becomes a dancer, a prophet, a muse.

"The Crusades"
from Carnations (Princeton University Press)